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Guide Me
Author: William Williams; Peter Williams Meter: 8.7.8.7.4.7 Appears in 1,822 hymnals Topics: Pilgrimage, Christian First Line: Guide me, O Thou great Jehovah Lyrics: 1 Guide me, O my great Redeemer,
pilgrim through this barren land;
I am weak, but you are mighty;
hold me with your powerful hand.
Bread of heaven, bread of heaven,
feed me now and evermore,
feed me now and evermore.
2 Open now the crystal fountain,
where the healing waters flow.
Let the fire and cloudy pillar
lead me all my journey through.
Strong Deliverer, strong Deliverer,
ever be my strength and shield,
ever be my strength and shield.
3 When I tread the verge of Jordan,
bid my anxious fears subside.
Death of death, and hell's Destruction,
land me safe on Canaan's side.
Songs of praises, songs of praises
I will ever sing to you,
I will ever sing to you.
Psalter Hymnal, (Gray) Text Sources: Welsh
Guide Me
Ancient of Days, Who Sittest, Throned in Glory
Author: William Croswell Doane Meter: 11.10.11.10 Appears in 197 hymnals Topics: Pilgrimage, Christian
Ancient of Days, Who Sittest, Throned in Glory
Abide with Me
Author: Henry Francis Lyte Meter: 10.10.10.10 Appears in 1,672 hymnals Topics: Pilgrimage & Conflct First Line: Abide with me: fast falls the eventide Lyrics: 1 Abide with me: fast falls the eventide;
the darkness deepens; Lord, with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
earth's joys grow dim, its glories pass away.
Change and decay in all around I see.
O Lord who changes not, abide with me.
3 I need your presence every passing hour.
What but your grace can foil the tempter's power?
Who like yourself my guide and strength can be?
Through cloud and sunshine, O abide with me.
4 I fear no foe with you at hand to bless,
though ills have weight, and tears their bitterness.
Where is death's sting? Where, grave, your victory?
I triumph still, if you abide with me.
5 Hold now your Word before my closing eyes.
Shine through the gloom and point me to the skies.
Heaven's morning breaks and earth's vain shadows flee;
in life, in death, O Lord, abide with me.
Scripture: Psalm 102:26-27 Used With Tune: EVENTIDE
Abide with Me
ELLESDIE
Meter: 8.7.8.7 D Appears in 461 hymnals Composer and/or Arranger: Wolfgang Amadeus Mozart, 1756-1791 Topics: Pilgrimage and Guidance Tune Sources: Arr. in Joshua Leavitt's The Christian Lyre, 1831; rev. Tune Key: A Major Incipit: 11113 22112 22243 Used With Text: Jesus, I My Cross Have Taken
ELLESDIE
SICILIAN MARINERS
Meter: 8.7.8.7.8.7 Appears in 599 hymnals Topics: Pilgrimage & Conflct Tune Sources: Sicilian melody, 18th century Tune Key: D Major Incipit: 56543 45654 35567 Used With Text: Lord, Dismiss Us with Your Blessing
SICILIAN MARINERS
A Stranger Here
Author: Thos. R. Taylor Hymnal: Christ in Song #842 (1908) Topics: Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage First Line: I'm but a stranger here Lyrics: 1. I'm but a stranger here,
Heav'n is my home;
Earth is a desert drear,
Heav'n is my home;
Danger and sorrow stand
Round me on ev'ry hand,
Heav'n is my Fatherland,
Heav'n is my home.
2. What though the tempest rage,
Heaven is my home;
Short is my pilgrimage,
Heaven is my home.
Time's cold and wintry blast
Soon will be overpast;
I shall reach home at last;
Heaven is my home.
3. There at my Saviour's side,
Heaven is my home,
I shall be glorified,
Heaven is my home.
There'll be the good and blest,
Those I love most and best;
There, too, I soon shall rest;
Heaven is my home. Languages: English Tune Title: OAK
A Stranger Here
Higher Ground
Author: Rev. Johnson Oatman, Jr. Hymnal: Christ in Song #489 (1908) Topics: Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage First Line: I'm pressing on the upward way Refrain First Line: Lord, lift me up and let me stand Lyrics: 1 I'm pressing on the upward way,
New heights I'm gaining ev'ry day;
Still praying as I onward bound,
"Lord, plant my feet on higher ground."
Chorus:
Lord, lift me up and let me stand,
By faith on heaven's tableland,
A higher plane than I have found;
Lord, plant my feet on higher ground.
2 My heart has no desire to stay
Where doubts arise and fears dismay;
Tho' some may dwell where these abound,
My prayer, my aim is higher ground. [Chorus]
3 I want to live above the world,
Tho' Satan's darts at me are hurled;
For faith has caught the joyful sound,
The song of saints on higher ground. [Chorus]
4 I want to scale the utmost height,
And catch a gleam of glory bright;
But still I'll pray till heav'n I've found,
"Lord, lead me on to higher ground." [Chorus]
Languages: English Tune Title: [I'm pressing on the upward way]
Higher Ground
Pilgrims, On!
Author: Anon. Hymnal: Christ in Song #642 (1908) Topics: Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Christ Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage; Living His Life Pilgrimage First Line: Pilgrims on! the day is dawning Lyrics: 1 Pilgrims on! the day is dawning;
Strike your tents, and homeward haste:
Sleep not while the blush of morning
Calls you on the dessert waste.
Tho' the way be dark and dreary,
Life's sharp anguish must be borne.
Courage, then, ye faint and weary,
Linger not to weep and mourn.
2 Pilgrims on! the storm is beating,
Beating wildly on your way:
Tarry not, the time is fleeting;
Shall the storm your footsteps stay?
Hasten on, thro' joy and sorrow,
Or whatever may betide,
Wait not for the calm tomorrow,
Faithful at your work abide.
3 Pilgrim on! what tho' in dangers,
Life's eventful course pursue;
Labor on, ye friendless strangers,
Grace will guide you safely through.
What if trials must befall you!
What if fierce temptations rise!
Shall earth's bitter strife appall you
While contending for the prize?
4 Pilgrims on! there's rest in heaven,
Rest from every anxious care,
Rest in Jesus' smiles forgiven,
Peaceful and eternal there.
O, 't were sweet to toil in sadness,
O, 't were well the cross to bear,
If at last in joy and gladness
We may rest forever there!
Languages: English Tune Title: ONWARD
Pilgrims, On!
Anne Steele
1717 - 1778 Topics: Pilgrimage and Guidance Author of "Father, whate'er of earthly bliss" in Trinity Hymnal Anne Steele was the daughter of Particular Baptist preacher and timber merchant William Steele. She spent her entire life in Broughton, Hampshire, near the southern coast of England, and devoted much of her time to writing. Some accounts of her life portray her as a lonely, melancholy invalid, but a revival of research in the last decade indicates that she had been more active and social than what was previously thought. She was theologically conversant with Dissenting ministers and "found herself at the centre of a literary circle that included family members from various generations, as well as local literati." She chose a life of singleness to focus on her craft. Before Christmas in 1742, she declined a marriage proposal from contemporary minister-hymnist Benjamin Beddome. All the same, some of Steele's sufferings were very real. She lost her mother at age 3, a potential suitor at age 20, her step mom at 43, and her sister-in-law at 45. She spent many years caring for her father until his death in 1769. For most of her life, she exhibited symptoms of malaria, including persistent pain, fever, headaches, and stomach aches. Caleb Evans, in his preface to Steele's posthumous Miscellaneous Pieces in Verse and Prose (1780), noted that she had been bed ridden for "some years" before her death: When the interesting hour came, she welcomed its arrival, and though her feeble body was excruciated with pain, her mind was perfectly serene. . . . She took the most affectionate leave of her weeping friends around her, and at length, the happy moment of her dismission arising, she closed her eyes, and with these animating words on her dying lips, "I know that my Redeemer liveth," gently fell asleep in Jesus. Historically, her most popular hymn has been "When I survey life's varied scene" (and its shortened form, "Father, whate'er of earthly bliss"), a hymn that turns earthly loss or denial into a spirit of thankfulness, published in over 800 North American hymnals since 1792. Not all of her work deals with personal agony. Her hymns span a wide doctrinal and ecclesiastical range, some crafted and used for her father's congregation. Her metrical psalms are among the finest of the genre. Steele's hymns and psalms were published in two volumes in 1760, Poems on Subjects Chiefly Devotional, under the pseudonym Theodosia, with an additional volume of material published after her death, in Miscellaneous Pieces in Verse and Prose, 1780. Sixty two of her hymns, including new material and some revisions by Steele, were published in a hymnal for Baptists in 1769, A Collection of Hymns Adapted to Public Worship, edited by Caleb Evans and John Ash. Forty seven were included in John Rippon's A Selection of Hymns from the Best Authors in 1787; the only author with larger representation was Philip Doddridge, with 101. These collections represent the earliest attempts to anthologize Baptist hymns and were vital for bringing Steele's hymns into wider public worship, where they have been a mainstay for over two hundred years.
Chris Fenner adapted from The Towers (Southern Baptist Theological Seminary, August 2015)
Recommended Bibliography:
Cynthia Y. Aalders, To Express the Ineffable: The Hymns and Spirituality of Anne Steele (Milton Keynes, U.K.: Paternoster, 2008).
Cynthia Y. Aalders, "In melting grief and ardent love: Anne Steele's contribution to eighteenth-century hymnody," The Hymn (summer 2009), 16-25.
J.R. Broome, A Bruised Reed: The Life and Times of Anne Steele (Harpenden, U.K.: Gospel Standard Trust Publications, 2007).
Joseph Carmichael, The Hymns of Anne Steele in John Rippon's Selection of Hymns: A Theological Analysis in the Context of the English Particular Baptist Revival (2012), dissertation, http://digital.library.sbts.edu/handle/10392/4112
Priscilla Wong, Anne Steele and Her Spiritual Vision (Grand Rapids: Reformation Heritage Books, 2012)
========================
Steele, Anne, born in 1716, was the daughter of Mr. Wm. Steele, a timber merchant, and pastor, without salary, of the Baptist Church at Broughton, in Hampshire. At an early age she showed a taste for literature, and would often entertain her friends by her poetical compositions. But it was not until 1760 that she could be prevailed upon to publish. In that year two volumes appeared under the title of Poems on Subjects chiefly Devotional, by Theodosia. After her death, which occurred in November, 1778, a new edition was published with an additional volume and a Preface by the Rev. Dr. Caleb Evans, of Bristol (Bristol, 1780). In the three volumes are 144 hymns, 34 Psalms in verse, and about 30 short poems. They have been reprinted in one vol. by D. Sedgwick, 1863….
Among Baptist hymnwriters Miss Steele stands at the head, if we regard either the number of her hymns which have found a place in the hymnals of the last 120 years, or the frequency with which they have been sung. Although few of them can be placed in the first rank of lyrical compositions, they are almost uniformly simple in language, natural and pleasing in imagery, and full of genuine Christian feeling. Miss Steele may not inappropriately be compared with Miss F. R. Havergal, our "Theodosia" of the 19th century. In both there is the same evangelic fervour, in both the same intense personal devotion to the Lord Jesus. But whilst Miss Steele seems to think of Him more frequently as her "bleeding, dying Lord "—dwelling on His sufferings in their physical aspect—Miss Havergal oftener refers to His living help and sympathy, recognizes with gladness His present claims as "Master" and "King," and anticipates almost with ecstasy His second coming. Looking at the whole of Miss Steele's hymns, we find in them a wider range of thought than in Miss Havergal's compositions. She treats of a greater variety of subjects. On the other hand, Miss Havergal, living in this age of missions and general philanthropy, has much more to say concerning Christian work and personal service for Christ and for humanity. Miss Steele suffered from delicacy of health and from a great sorrow, which befell her in the death of her betrothed under peculiarly painful circumstances. In other respects her life was uneventful, and occupied chiefly in the discharge of such domestic and social duties as usually fall to the lot of the eldest daughter of a village pastor. She was buried in Broughton churchyard. [Rev W. R. Stevenson, M.A.]
A large number of Miss Steele's hymns are in common use, the larger proportion being in American hymnbooks. In addition to "Almighty Maker of my frame," “Far from these narrow scenes of night," "Father of mercies in Thy word," and others annotated under their respective first lines, there are also:—
i. From her Poems on Subjects Chiefly Devotional, 1760, vols. i., ii.
1. Come, let our souls adore the Lord. Pleading for Mercy. One of two hymns "On the Fast, Feb. 11, 1757," the first being "While justice waves her vengeful hand."
2. Come, tune ye saints, your noblest strains. Christ Dying and Rising.
3. Deep are the wounds which sin has made. Christ, the Physician.
4. Enslaved by sin, and bound in chains. Redemption.
5. Eternal power, almighty God. Divine Condescension.
6. Eternal Source of joys divine. Divine Assurance desired.
7. Great God, to Thee my evening song. Evening.
8. Great Source of boundless power and grace. Desiring to Trust in God.
9. Hear, gracious [God] Lord, my humble moan [prayer] . The presence of God desired.
10. Hear, O my God, with pity hear. Ps. cxliii.
11. How long shall earth's alluring toys ? On Longing after unseen pleasures.
12. How lovely, how divinely sweet. Ps. lxxziv.
13. How oft, alas, this wretched heart. Pardoning Love.
14. In vain my roving thoughts would find. Lasting Happiness.
15. Jesus, the spring of joys divine. Christ the Way.
16. Lord, how mysterious are Thy ways. Providence.
17. Lord, Thou hast been Thy Children's God. Ps. xc.
18. Lord, we adore Thy boundless grace. Divine Bounty.
19. Lord, when my [our] raptured thought surveys. Creation and Providence.
20. Lord, when my thoughts delighted rove. Passiontide.
21. My God, 'tis to Thy mercy seat. Divine Mercy.
22. My God, to Thee I call. Lent.
23. O for a sweet, inspiring ray. The Ascended Saviour.
24. O Thou Whose tender mercy hears. Lent.
25. Permit me, Lord, to seek Thy face. Strength and Safety in God alone.
26. Should famine o'er the mourning field. During Scarcity.
27. So fades the lovely, blooming flower. Death of a Child.
28. Stretched on the Cross the Saviour dies. Good Friday.
29. The Lord, my Shepherd and my Guide. Ps.xxiii.
30. The Lord, the God of glory reigns. Ps. xciii.
31. The Saviour calls; let every ear. The Invitation.
32. There is a glorious world on high. True Honour.
33. Thou lovely [only] Source of true delight. Desiring to know Jesus.
34. Thou only Sovereign of my heart. Life in Christ alone.
35. To Jesus, our exalted Lord. Holy Communion.
36. To our Redeemer's glorious Name. Praise to the Redeemer.
37. To your Creator, God. A Rural Hymn.
38. When I survey life's varied scene. Resignation.
39. When sins and fears prevailing rise. Christ the Life of the Soul.
40. Where is my God? does He retire. Rreathing after God.
41. While my Redeemer's near. The Good Shepherd.
42. Why sinks my weak desponding mind? Hope in God.
43. Ye earthly vanities, depart. Love for Christ desired.
44. Ye glittering toys of earih adieu. The Pearl of great Price.
45. Ye humble souls, approach your God. Divine Goodness.
ii. From the Bristol Baptist Collection of Ash & Evans, 1769.
46. Come ye that love the Saviour's Name. Jesus, the King of Saints.
47. How helpless guilty nature lies. Need of Receiving Grace.
48. Praise ye the Lord let praise employ. Praise.
iii. Centos and Altered Texts,
49. How blest are those, how truly wise. True honour. From "There is a glorious world on high."
50. How far beyond our mortal view. Christ the Supreme Beauty. From "Should nature's charms to please the eye," 1760, st. iii.
51. In vain I trace creation o'er. True happiness. From "When fancy spreads her boldest wings," 1760, st. ii.
52. Jesus, and didst thou leave the sky? Praise to Jesus. From “Jesus, in Thy transporting name," 1760, st. iv.
53. Look up, my soul, with cheerful eye. Breathing after God. From No. 40, st. v.
54. Lord, in the temple of Thy grace. Christ His people's Joy. From "The wondering nations have beheld," 1760, st. iii.
55. My God, O could I make the claim. Part of No. 9 above.
56. My soul, to God, its source, aspires. God, the Soul's only Portion. From "In vain the world's alluring smile," st. iii.
57. O could our thoughts and wishes fly. Part of No. 11 above, st. iv.
58. O for the eye of faith divine. Death anticipated. From "When death appears before my sight," 1760, st. iii., vii., viii. altered, with opening stanzas from another source.
59. O Jesus, our exalted Head. Holy Communion. From "To Jesus, our exalted Lord." See No. 35.
60. O world of bliss, could mortal eyes. Heaven. From "Far from these narrow scenes of night."
61. See, Lord, Thy willing subjects bow. Praise to Christ. From "O dearer to my thankful heart," 1780, st. 5.
62. Stern winter throws his icy chains. Winter. From "Now faintly smile day's hasty hours," 1760, st. ii.
63. Sure, the blest Comforter is nigh. Whitsuntide. From "Dear Lord, and shall Thy Spirit rest," 1760, st. iii.
64. The God of my salvation lives. In Affliction. From, "Should famine, &c," No. 26, st. iv.
65. The Gospel, O what endless charms. The Gospel of Redeeming Love. From "Come, Heavenly Love, inspire my song."
66. The mind was formed lo mount sublime. The Fettered Mind. From "Ah! why should this immortal mind?" 1760, st. ii.
67. The once loved form now cold and dead. Death of a Child. From "Life is a span, a fleeting hour," 1760, st. iii.
68. Thy gracious presence, O my God. Consolation in Affliction. From "In vain, while dark affliction spreads," 1780, st. iv.
69. Thy kingdom, Lord, for ever stands. Ps. cxlv. From "My God, my King, to Thee I'll raise," 1760, st. xii.
70. Triumphant, Christ ascends on high. Ascension. From "Come, Heavenly Love, inspire my song," 1760, st. xxxii.
71. When blest with that transporting view. Christ the Redeemer. From "Almighty Father, gracious Lord," 1760, st. xi.
72. When death before my sight. Death Anticipated. From "When death appears before my sight," 1760.
73. When gloomy thoughts and boding fears. Com¬forts of Religion. From "O blest religion, heavenly fair," 1760, st. ii.
74. When weary souls with sin distrest. Invitation to Rest. From "Come, weary souls, with sin distressed," 1760.
75. Whene'er the angry passions rise. Example of Christ. From “And is the gospel peace and love?" 1760, st. ii.
All the foregoing hymns are in D. Sedgwick's reprint of Miss Steele's Hymns, 1863.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
====================
Steele, Anne, p. 1089, i., Additional hymns in common use:
1. Amazing love that stoop'd so low. Thankfulness. From "O dearer to my thankful heart," 1780, iii.
2. Bright scenes of bliss, unclouded skies. Saved by Hope. Poems, 1760, i. p. 228.
3. Jesus demands this heart of mine. Pardon De¬sired. Poems, 1760, i. p. 120.
4. Jesus, Thou Source divine. Christ the Way. Poems, 1760, i. p. 53, altered.
5. Lord, how mysterious are Thy ways. Mysteries of Providence. Poems, 1760, i. p. 131.
6. Lord^in Thy great, Thy glorious Name. Ps. xxxi. Poems, 1760, ii. p. 158.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Anne Steele
Jessie Brown Pounds
1861 - 1921 Person Name: Jessie H. Brown, 1861-1921 Topics: Pilgrimage and Guidance Author of "Anywhere with Jesus" in Trinity Hymnal Jessie Brown Pounds was born in Hiram, Ohio, a suburb of Cleveland on 31 August 1861. She was not in good health when she was a child so she was taught at home. She began to write verses for the Cleveland newspapers and religious weeklies when she was fifteen. After an editor of a collection of her verses noted that some of them would be well suited for church or Sunday School hymns, J. H. Fillmore wrote to her asking her to write some hymns for a book he was publishing. She then regularly wrote hymns for Fillmore Brothers. She worked as an editor with Standard Publishing Company in Cincinnati from 1885 to 1896, when she married Rev. John E. Pounds, who at that time was a pastor of the Central Christian Church in Indianapolis.
A memorable phrase would come to her, she would write it down in her notebook. Maybe a couple months later she would write out the entire hymn. She is the author of nine books, about fifty librettos for cantatas and operettas and of nearly four hundred hymns. Her hymn "Beautiful Isle of Somewhere" was sung at President McKinley's funeral.
Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)
Jessie Brown Pounds
Ralph Vaughan Williams
1872 - 1958 Topics: Pilgrimage & Conflct Composer of "RANDOLPH" in Psalter Hymnal (Gray) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
