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God, Our Father, We Adore Thee

Author: George W. Frazier; Alfred S. Loizeaux Meter: 8.7.8.7 D Appears in 21 hymnals Topics: Adoration and Praise God Our Father First Line: God, our Father, we adore Thee! Lyrics: 1 God, our Father, we adore Thee! We, Thy children, bless Thy Name! Chosen in the Christ before Thee, We are "holy, without blame." We adore Thee! we adore Thee! Abba's praises we proclaim! We adore Thee! we adore Thee! Abba's praises we proclaim! 2 Son Eternal, we adore Thee! Lamb upon the throne on high! Lamb of God, we bow before Thee, Thou hast bro't Thy people nigh! We adore Thee! we adore Thee! Son of God, who came to die! We adore Thee! we adore Thee! Son of God, who came to die! 3 Holy Spirit, we adore Thee! Paraclete and heav'nly guest! Sent from God and from the Savior, Thou hast led us into rest. We adore Thee! we adore Thee! By Thy grace forever blest; We adore Thee! we adore Thee! By Thy grace forever blest! 4 Father, Son and Holy Spirit - Three in One! we give Thee praise! For the riches we inherit, Heart and voice to Thee we raise! We adore Thee! we adore Thee! Thee we bless thro' endless days! We adore Thee! we adore Thee! Thee we bless thro' endless days! Used With Tune: BEECHER
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To God Be the Glory

Author: Fanny J. Crosby, 1820-1915 Appears in 223 hymnals Topics: God our Father First Line: To God be the glory—great things He hath done! Refrain First Line: Praise the Lord Used With Tune: [To God be the glory—great things He hath done!]
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This Is My Father's World

Author: Maltbie D. Babcock, 1858-1901 Meter: 6.6.8.6 D Appears in 316 hymnals Topics: God our Father Used With Tune: TERRA BEATA

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TO GOD BE THE GLORY

Meter: 11.11.11.11 with refrain Appears in 194 hymnals Composer and/or Arranger: Doug Holck; William H. Doane Topics: God Our Father : His Adoration and Praise; God Our Father : His Love and Mercy Tune Key: A Flat Major Incipit: 55671 51252 33464 Used With Text: To God Be the Glory
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ANDREWS

Meter: 8.7.8.7.8.7 Appears in 21 hymnals Composer and/or Arranger: Mark Andrews Topics: Adoration and Praise God Our Father Tune Key: D Major Incipit: 53211 46655 351 Used With Text: Praise, My Soul, the King of Heaven
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NICAEA

Meter: 11.12.12.10 Appears in 1,041 hymnals Composer and/or Arranger: John B. Dykes; Camp Kirkland Topics: Adoration and Praise God Our Father Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy! Lord God Almighty

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God, Our Father, We Adore Thee

Author: George W. Frazier; Alfred S. Loizeaux Hymnal: The Celebration Hymnal #93 (1997) Meter: 8.7.8.7 D Topics: Adoration and Praise God Our Father First Line: God, our Father, we adore Thee! Lyrics: 1 God, our Father, we adore Thee! We, Thy children, bless Thy Name! Chosen in the Christ before Thee, We are "holy, without blame." We adore Thee! we adore Thee! Abba's praises we proclaim! We adore Thee! we adore Thee! Abba's praises we proclaim! 2 Son Eternal, we adore Thee! Lamb upon the throne on high! Lamb of God, we bow before Thee, Thou hast bro't Thy people nigh! We adore Thee! we adore Thee! Son of God, who came to die! We adore Thee! we adore Thee! Son of God, who came to die! 3 Holy Spirit, we adore Thee! Paraclete and heav'nly guest! Sent from God and from the Savior, Thou hast led us into rest. We adore Thee! we adore Thee! By Thy grace forever blest; We adore Thee! we adore Thee! By Thy grace forever blest! 4 Father, Son and Holy Spirit - Three in One! we give Thee praise! For the riches we inherit, Heart and voice to Thee we raise! We adore Thee! we adore Thee! Thee we bless thro' endless days! We adore Thee! we adore Thee! Thee we bless thro' endless days! Languages: English Tune Title: BEECHER
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God, Our Father, We Adore Thee

Author: George W. Frazier; Alfred S. Loizeaux Hymnal: The Hymnal for Worship and Celebration #268 (1986) Meter: 8.7.8.7 D Topics: Adoration and Praise God Our Father First Line: God, our Father, we adore Thee! Lyrics: 1 God, our Father, we adore Thee! We, Thy children, bless Thy Name! Chosen in the Christ before Thee, We are "holy, without blame." We adore Thee! we adore Thee! Abba's praises we proclaim! We adore Thee! we adore Thee! Abba's praises we proclaim! 2 Son Eternal, we adore Thee! Lamb upon the throne on high! Lamb of God, we bow before Thee, Thou hast brought Thy people nigh! We adore Thee! we adore Thee! Son of God, who came to die! We adore Thee! we adore Thee! Son of God, who came to die! 3 Holy Spirit, we adore Thee! Paraclete and heav'nly guest! Sent from God and from the Savior, Thou hast led us into rest. We adore Thee! we adore Thee! By Thy grace forever blest; We adore Thee! we adore Thee! By Thy grace forever blest! 4 Father, Son and Holy Spirit - Three in One! we give Thee praise! For the riches we inherit, Heart and voice to Thee we raise! We adore Thee! we adore Thee! Thee we bless thro' endless days! We adore Thee! we adore Thee! Thee we bless thro' endless days! Amen. Tune Title: BEECHER

Great Are You, O Lord

Author: Gerald S. Henderson Hymnal: The Celebration Hymnal #144 (1997) Meter: Irregular Topics: Adoration and Praise God Our Father First Line: God, our Father, we adore You Languages: English Tune Title: ENGLAND

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William Kethe

? - 1594 Topics: Adoration and Praise God Our Father Author of "All People That on Earth Do Dwell" in The Celebration Hymnal William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Folliott Sandford Pierpoint

1835 - 1917 Person Name: Folliott S. Pierpoint Topics: Adoration and Praise God Our Father Author of "For the Beauty of the Earth" in The Hymnal for Worship and Celebration In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today. Bert Polman ================== Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:— "For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn. --John Julian, Dictionary of Hymnology (1907)

Tom Fettke

b. 1941 Topics: Adoration and Praise God Our Father Arranger of "BUNESSAN" in The Celebration Hymnal Thomas E. Fettke (b. Bronx, New York City, 1941) Educated at Oakland City College and California State University, in Hayward, CA, Fettke has taught in several public and Christian high schools and served as minister of music in various churches, all in California. He has published over eight hundred composi­tions and arrangements (some under the pseudonyms Robert F. Douglas and David J. Allen) and produced a number of recordings. Fettke was the senior editor of The Hymnal for Worship and Celebration (1986). Bert Polman