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Go, Tell It on the Mountain

Representative Text

Refrain:
Go, tell it on the mountain,
Over the hills and everywhere.
Go, tell it on the mountain
That Jesus Christ is born.

1. While shepherds kept their watching
O'er silent flocks by night,
Behold thru-out the heavens
There shone a holy light.

2. The shepherds feared and trembled
When lo! above the earth
Rang out the angel chorus
That hailed our Savior's birth.

3. Down in a lowly manger
The humble Christ was born,
And God sent us salvation
That blessed Christmas morn.

Source: Hymns and Devotions for Daily Worship (African American Edition) #5a

Adapter: John W. Work

John W. Work, Jr. (b. Nashville, TN, 1872; d. Nashville, 1925), is well known for his pioneering studies of African American folk music and for his leadership in the performance of spirituals. He studied music at Fisk University in Nashville and classics at Harvard and then taught Latin, Greek, and history at Fisk from 1898 to 1923. Director of the Jubilee Singers at Fisk, Work also sang tenor in the Fisk Jubilee Quartet, which toured the country after 1909 and made commercial recordings. He was president of Roger Williams University in Nashville during the last two years of his life. Work and his brother Frederick Jerome Work (1879-1942) were devoted to collecting, arranging, and publishing African American slave songs and spirituals. They… Go to person page >

Text Information

First Line: While shepherds kept their watching
Title: Go, Tell It on the Mountain
Adapter: John W. Work
Meter: Irregular
Source: African-American spiritual
Place of Origin: United States
Language: English
Refrain First Line: Go, tell it on the mountain
Notes: Spanish translation: See "Pastores sus rebaños" by Anita Gonzáles
Copyright: Public Domain
Liturgical Use: Closing Songs

Notes

Scripture References:
all st. = Luke 2:8-20
ref. = Matt. 28:19

The text of this beloved spiritual was first published in Folk Song of the American Negro (1907), a study of African American folk music by John Wesley Work, Jr. (PHH 476). The song may date back to earlier sources, but evidently the original text was lost. According to Edith McFall Work, widow of John Wesley Work, III:

the verses of these songs were published by John Work, II, in place of the original ones which could not be found. In 1940 John Work, III, had the songs copyrighted and published [at 215] in his book American Negro Songs.”
-Companion to the United Methodist Hymnal, p. 360

In American Negro Songs and Spiritual (1940), John Wesley Work, III, attributes the newer text to his uncle Frederick J. Work. "He may have composed it" [the tune], wrote J. W. Work, III. "I know he composed the verses." John, III, recalled that when he was a child, the students at Fisk University began singing this before daybreak on Christmas morning, going from building to building. Later, his arrangement for use in choral concerts by the Fisk Jubilee Singers helped to popularize the spiritual.

The refrain theme comes from Old Testament passages in which praise to God for his acts of deliverance was often shouted, both literally and metaphorically, from the mountaintops (Isa. 42:11). While the three stanzas tell the essence of the Christmas story, the refrain underscores the missionary impetus of the Christian church: "go and make disciples of all nations" (Matt. 28:19). The "go, tell," which initially applied to the singers caroling on the university campus, is a signal for us to leave the comfortable confines of Christian worship and "go, tell" the message of Christ's redemption to the whole world.

Because of the spiritual's oral tradition, variants in text and melody exist. A textual variant for "Go, Tell It" is an Easter version with the following refrain text:

Go, tell it on the mountain,
Over the hills and everywhere;
Go, tell it on the mountain
That Jesus lives again.

Liturgical Use:
Christmas morning; a Christmas candlelight service; "carols from many lands" service; the refrain could be used by itself as a chorus on Christmas Day, or it could be combined with the Easter refrain version (see above) and used during worship services that focus on missions.

--Psalter Hymnal Handbook

Note: The book American Negro Songs and Spirituals: A Comprehensive Collection of 230 Folk Songs, Religious and Secular, with a forward by John W. Work (1940), states that "These verses were supplied by John Work Sr. in place of the original ones which could not be found." (p. 215). The song is not contained in any known edition of Folk Songs of the American Negro (1907); it was first printed in Religious Folk Songs of the Negro (1909) at Hampton University.

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The Cyber Hymnal #1993
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Psalter Hymnal (Gray) #356
  • Bulletin Score (melody only) (PDF)
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Worship and Rejoice #218
With Heart and Voice: songs for all God's children #84
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Instances in all hymnals

Instances (101 - 128 of 128)

The Methodist Hymnal #404

The New Broadman Hymnal #82

Text

The New Century Hymnal #154

Text

The New Church Hymnal #550

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The New National Baptist Hymnal #66

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The New National Baptist Hymnal (21st Century Edition) #92

Text

The Presbyterian Hymnal #29

The Sing! Hymnal #794

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The United Methodist Hymnal #251

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The Worshipbook #380

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The Worshiping Church #151

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This Far By Faith #52

Text

Total Praise #214

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Trinity Hymnal (Rev. ed.) #224

Text

Voices Together #252

Text

Voices United #43

Wings Of Song #269

TextScoreAudio

With Heart and Voice #84

Text

Worship (3rd ed.) #397

Text

Worship (4th ed.) #428

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Worship and Hymns for All Occasions #46

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Worship and Rejoice #218

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Worship His Majesty #139

Worship II, a Hymnal for Roman Catholic Parishes #d276

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Worship in Song #79

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Worship Supplement 2000 #706

Worship the Lord #176

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Yes, Lord! #215

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Exclude 30 pre-1979 instances
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