Louvamos-te, ó Deus

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Louvamos-te, ó Deus

Translator: James Theodore Houston; Author: W. P. Mackay (1863)
Tune: REVIVE US AGAIN
Published in 10 hymnals

Piano/Organ
	Hallelujah, What a Savior!, Vol. 2 (Extr…

Representative Text

1. Louvamos-Te, ó Deus,
Pelo dom de Jesus,
Que por nós, pecadores,
Foi morto na cruz.

Estribilho:
Aleluia, toda a glória
Te rendemos, sem-fim;
Aleluia, Tua graça
Imploramos. Amém!

2. Louvamos-Te, ó Deus,
Pelo Espírito, luz
Que nos tira das trevas
E a Cristo conduz. [Estribilho]

3. Ó, vem-nos encher
De celeste fervor,
E fazer-nos fruir
Teu afável amor! [Estribilho]

Source: Louvores ao Rei #25

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Translator: James Theodore Houston

Born in 1847. He was a missionary in Bahia, Brazil under the Presbyterian Board of New York, he later was transferred to Rio de Janeiro. He collaborated on the hymnal Hinos e Cânticos Sagrados published by John Boyle in Rio de Janeiro, 1888. After 28 years of ministry, he returned to the United States and died in Oakland, CA at the age of 82. [Source?] Go to person page >

Author: W. P. Mackay

Mackay, William Paton, M.D., was born at Montrose, May 13, 1839, and educated at the University of Edinburgh. After following his medical profession for a time, he became minister of Prospect Street Presbyterian Church, Hull, in 1868, and died from an accident, at Portree, Aug. 22, 1885. Seventeen of his hymns are in W. Reid's Praise Book, 1872. Of these the best known is "We praise Thee, O God, for the Son of Thy love" (Praise to God), written 1863, recast 1867. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, Appendix II (1907)… Go to person page >

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First Line:	Louvamos-te, ó Deus
English Title:	We praise thee, O God! (Revive Us Again)
Author:	W. P. Mackay (1863)
Translator:	James Theodore Houston
Language:	Portuguese
Refrain First Line:	Aleluia! Toda a gloria te rendemos, sem fim.

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Tune

REVIVE US AGAIN

The common attribution to John J. Husband is based on a brief resemblance to his tune ST. STEPHEN'S, first published in Psalmodia Evangelica, vol. 2 (1789), but the resemblance only extends to the first two measures. These tunes should not be regarded as the same. This gospel/revival tune was writte…

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[With harps and with viols, there stand a great throng]

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