Search Results

Topics:meekness

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scansFlexScoreFlexPresent

O for a heart to praise my God

Author: C. Wesley, 1707-1788 Appears in 1,162 hymnals Topics: Meekness Lyrics: 1 O for a heart to praise my God, A heart from sin set free! A heart that always feels Thy blood So freely spilt for me! 2 A heart resigned, submissive, meek, My great Redeemer's throne, Where only Christ is heard to speak, Where Jesus reigns alone: 3 A humble, lowly, contrite heart, Believing, true, and clean; Which neither life nor death can part From Him that dwells within: 4 A heart in every thought renewed, And hill of love divine; Perfect, and right, and pure, and good, A copy, Lord, of Thine! 5 Thy nature, gracious Lord, impart; Come quickly from above; Write Thy new name upon my heart, Thy new, best name of Love.
Page scans

I lay my sins on Jesus

Author: Horatius Bonar Meter: 7.6 Appears in 560 hymnals Topics: Christ Meekness of Scripture: Isaiah 53:6
TextPage scans

Humility and Meekness

Meter: 6.6.8.6 Appears in 12 hymnals Topics: Meekness First Line: Not haughty is my heart Lyrics: 1 Not haughty is my heart, Not lofty is my pride; I do not seek to know the things God's wisdom has denied. 2 With childlike trust, O Lord, In Thee I calmly rest, Contented as a little child Upon its mother's breast. 3 Ye people of the Lord, In Him alone confide; From this time forth and evermore His wisdom be your guide. Scripture: Psalm 131 Used With Tune: OLMUTZ

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

BOVINA

Meter: 8.6.8.6 Appears in 13 hymnals Composer and/or Arranger: Laura A. Tate Topics: Meekness Tune Key: C Major Incipit: 11321 23543 51653 Used With Text: Witness-Bearing and Grateful Praise
Page scansAudio

AZMON

Meter: 8.6.8.6 Appears in 965 hymnals Composer and/or Arranger: Carl G. Gläser Topics: Meekness Tune Key: A Flat Major Incipit: 51122 32123 34325 Used With Text: Granted Prayers
Page scansAudio

SEYMOUR

Meter: 7.7.7.7 Appears in 581 hymnals Composer and/or Arranger: von Weber Topics: Meekness Tune Key: F Major Incipit: 32436 53233 33471 Used With Text: Aspiration and Supplication

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

The Meekness of Christ

Author: Bp. Arthur Cleveland Coxe (1818— ) Hymnal: Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes #105 (1891) Topics: Christ Meekness of; Meekness First Line: How beauteous were the marks divine Scripture: 1 Peter 2:21 Languages: English
Page scan

Meekness

Author: J. Scott Hymnal: Psalms and Hymns and Spiritual Songs #869 (1875) Topics: Meekness First Line: Happy the meek whose gentle breast Scripture: Matthew 5:5
Page scan

The Meekness of Christ

Author: Bp. Arthur Cleveland Coxe (1818— ) Hymnal: Songs of Praise with Tunes #107 (1889) Topics: Meekness First Line: How beauteous were the marks divine Scripture: 1 Peter 2:21

People

person icon
Authors, composers, editors, etc.

James McGranahan

1840 - 1907 Topics: The Meek Composer of "[Praise God! 'tis good and pleasant]" in Bible Songs James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

John H. Stockton

1813 - 1877 Topics: Meekness Composer of "MINERVA" in The Psalter Stockton, John Hart, a Methodist minister, was born in 1813, and died in 1877. He was a member of the New Jersey Annual Conference of the Methodist Episcopal Church, and the successive pastoral charges that he filled as a member of that Conference are found in the Conference Journal. He was not only a preacher, but a musician and composer of tunes, as well as hymn writer. He published two gospel song books: Salvation Melodies, 1874, and Precious Songs, 1875. Hymn Writers of the Church by Charles Nutter, 1911 =============== Stockton, John Hart, b. April 19, 1813, and d. March 25, 1877, was the author of "Come, every soul by sin oppressed" (Invitation), in I.D. Sankey's Sacred Songs and Solos, 1878, and of "The Cross, the Cross, the blood¬stained Cross" (Good Friday) in the same collection. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =============== Stockton, John Hart. (New Hope, Pennsylvania, April 19, 1813--March 25, 1877). Born of Presbyterian parents, he was converted at a Methodist camp meeting in 1838, being received into full membership in the New Jersey Conference in 1857. Because of ill health he twice took the "supernumerary relations." He withdrew from actual pastoral work in 1874 and engaged in compiling and publishing gospel hymn books, issuing Salvation Melodies that year and Precious Songs in 1875, writing both words and music for a number of the songs. He died suddenly after attending a Sunday morning service at Arch Street Church, Philadelphia. Our Hymnody, McCutchan, has, perhaps, the fullest account of him readily available. --Robert G. McCutchan, DNAH Archives

Felice Giardini

1716 - 1796 Person Name: Felice Gieadini Topics: Meekness Composer of "ITALIAN HYMN" in The Psalter Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry