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Universal Praise

Appears in 721 hymnals Topics: Gospel Invitations of First Line: All people that on earth do dwell Refrain First Line: For good is Jehovah the Lord Scripture: Psalm 100 Used With Tune: [All people that on earth do dwell]
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Wonderful Words of Life

Author: P. P. Bliss (1838-1876) Meter: 8.6.8.6.6.6 with refrain Appears in 564 hymnals Topics: Gospel Invitation First Line: Sing them over again to me, Wonderful words of life Refrain First Line: Beautiful words, wonderful words, wonderful words of life, Lyrics: 1 Sing them over again to me, wonderful words of life, Let me more of their beauty see, wonderful words of life; Words of life and beauty teach me faith and duty. Refrain Beautiful words, wonderful words, wonderful words of life, Beautiful words, wonderful words, wonderful words of life. 2 Christ, the blessèd One, gives to all wonderful words of life; Sinner, list to the loving call, wonderful words of life; All so freely given, wooing us to heaven. [Refrain] 3 Sweetly echo the Gospel call, wonderful words of life; Offer pardon and peace to all, wonderful words of life; Jesus, only Savior, sanctify forever. [Refrain] Used With Tune: [Sing them over again to me, Wonderful words of life]
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Come, and welcome

Author: Rev. Joseph Hart (1712-1768) Appears in 1,462 hymnals Topics: Gospel Invitations of First Line: Come ye sinners, poor and wretched Scripture: Matthew 11:28-30 Used With Tune: OLIPHANT

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RUTHERFORD

Appears in 252 hymnals Composer and/or Arranger: Chrétien Urhan Topics: Gospel Invitations of Tune Key: F Major Incipit: 33322 11144 34225 Used With Text: Sin and Forgiveness
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CALLING TODAY

Meter: 10.8.10.7 with refrain Appears in 314 hymnals Composer and/or Arranger: Geo. C. Stebbins Topics: Means of Grace Gospel Invitation Tune Key: C Major Incipit: 55553 45671 17676 Used With Text: Jesus Is Tenderly Calling
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COMPASSION

Meter: 7.7.7.7.7.5.7.7.7.7 Appears in 161 hymnals Composer and/or Arranger: William H. Doane, 1831-1915; H. J. Van Andel Topics: Cleansing From Sin ; Conversion; Forgiveness of Sin; Gospel; Invitation; Profession of Faith Tune Key: A Flat Major Incipit: 55534 56551 7176 Used With Text: Though Your Sins Be As Scarlett

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Ho! every one that thirsts, draw nigh

Author: C. Wesley, 1707-1788 Hymnal: Methodist Hymn and Tune Book #307 (1917) Topics: Gospel Invitations of ; Invitations, Gospel Lyrics: 1 Ho! every one that thirsts, draw nigh; Tis God invites the fallen race; Mercy and free salvation buy; Buy wine, and milk, and gospel grace. 2 Come to the living waters, come! Sinners, obey your Maker's call; Return, ye weary wanderers, home, And find My grace is free for all. 3 See from the Rock a fountain rise! For you in healing streams it rolls; Money ye need not bring, nor price, Ye laboring, burdened, sin-sick souls. 4 Nothing ye in exchange shall give, Leave all you have and are behind; Frankly the gift of God receive, Pardon and peace in Jesus find. Languages: English Tune Title: RIVAULX
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Come, sinners, to the gospel feast

Author: C. Wesley, 1707-1788 Hymnal: Methodist Hymn and Tune Book #306 (1917) Topics: Gospel Invitations of Lyrics: 1 Come, sinners, to the gospel feast, Let every soul be Jesus' guest; Ye need not one be left behind, For God hath bidden all mankind. 2 Sent by my Lord, on you I call, The invitation is to all; Come, all the world; come, sinner, thou; All things in Christ are ready now. 3 Come, all ye souls by sin opprest, Ye restless wanderers after rest, Ye poor, and maimed, and halt, and blind, In Christ a hearty welcome find. 4 My message as from God receive; Ye all may come to Christ, and live; O let His love your hearts constrain, Nor suffer Him to die in vain! 5 His love is mighty to compel; His conquering love consent to feel; Yield to His love's resistless power, And fight against your God no more. Languages: English Tune Title: HESPERUS
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Jesus Invites You

Author: P. H. Hymnal: Gospel Songs No. 2 #229 (1902) Topics: The gospel Invitation First Line: Jesus, the Saviour, invites you Refrain First Line: Why, why then not come Languages: English Tune Title: [Jesus, the Saviour, invites you]

People

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Authors, composers, editors, etc.

Cecil Frances Alexander

1818 - 1895 Person Name: Mrs. Cecil Frances Alexander (1818-1895) Topics: Gospel Invitation Author of "Jesus Calls Us" in Seventh-day Adventist Hymnal As a small girl, Cecil Frances Humphries (b. Redcross, County Wicklow, Ireland, 1818; Londonderry, Ireland, 1895) wrote poetry in her school's journal. In 1850 she married Rev. William Alexander, who later became the Anglican primate (chief bishop) of Ireland. She showed her concern for disadvantaged people by traveling many miles each day to visit the sick and the poor, providing food, warm clothes, and medical supplies. She and her sister also founded a school for the deaf. Alexander was strongly influenced by the Oxford Movement and by John Keble's Christian Year. Her first book of poetry, Verses for Seasons, was a "Christian Year" for children. She wrote hymns based on the Apostles' Creed, baptism, the Lord's Supper, the Ten Commandments, and prayer, writing in simple language for children. Her more than four hundred hymn texts were published in Verses from the Holy Scripture (1846), Hymns for Little Children (1848), and Hymns Descriptive and Devotional ( 1858). Bert Polman ================== Alexander, Cecil Frances, née Humphreys, second daughter of the late Major John Humphreys, Miltown House, co. Tyrone, Ireland, b. 1823, and married in 1850 to the Rt. Rev. W. Alexander, D.D., Bishop of Derry and Raphoe. Mrs. Alexander's hymns and poems number nearly 400. They are mostly for children, and were published in her Verses for Holy Seasons, with Preface by Dr. Hook, 1846; Poems on Subjects in the Old Testament, pt. i. 1854, pt. ii. 1857; Narrative Hymns for Village Schools, 1853; Hymns for Little Children, 1848; Hymns Descriptive and Devotional, 1858; The Legend of the Golden Prayers 1859; Moral Songs, N.B.; The Lord of the Forest and his Vassals, an Allegory, &c.; or contributed to the Lyra Anglicana, the S.P.C.K. Psalms and Hymns, Hymns Ancient & Modern, and other collections. Some of the narrative hymns are rather heavy, and not a few of the descriptive are dull, but a large number remain which have won their way to the hearts of the young, and found a home there. Such hymns as "In Nazareth in olden time," "All things bright and beautiful," "Once in Royal David's city," "There is a green hill far away," "Jesus calls us o'er the tumult," "The roseate hues of early dawn," and others that might be named, are deservedly popular and are in most extensive use. Mrs. Alexander has also written hymns of a more elaborate character; but it is as a writer for children that she has excelled. - John Julian, Dictionary of Hymnology (1907) =============== Alexander, Cecil F., née Humphreys, p. 38, ii. Additional hymns to those already noted in this Dictionary are in common use:— 1. Christ has ascended up again. (1853.) Ascension. 2. His are the thousand sparkling rills. (1875.) Seven Words on the Cross (Fifth Word). 3. How good is the Almighty God. (1S48.) God, the Father. 4. In [a] the rich man's garden. (1853.) Easter Eve. 5. It was early in the morning. (1853.) Easter Day. 6. So be it, Lord; the prayers are prayed. (1848.) Trust in God. 7. Saw you never in the twilight? (1853.) Epiphany. 8. Still bright and blue doth Jordan flow. (1853.) Baptism of Our Lord. 9. The angels stand around Thy throne. (1848.) Submission to the Will of God. 10. The saints of God are holy men. (1848.) Communion of Saints. 11. There is one Way and only one. (1875.) SS. Philip and James. 12. Up in heaven, up in heaven. (1848.) Ascension. 13. We are little Christian children. (1848.) Holy Trinity. 14. We were washed in holy water. (1848.) Holy Baptism. 15. When of old the Jewish mothers. (1853.) Christ's Invitation to Children. 16. Within the Churchyard side by side. (1848.) Burial. Of the above hymns those dated 1848 are from Mrs. Alexander's Hymns for Little Children; those dated 1853, from Narrative Hymns, and those dated 1875 from the 1875 edition of Hymns Ancient & Modern. Several new hymns by Mrs. Alexander are included in the 1891 Draft Appendix to the Irish Church Hymnal. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============= Alexander, Cecil F. , p. 38, ii. Mrs. Alexander died at Londonderry, Oct. 12, 1895. A number of her later hymns are in her Poems, 1896, which were edited by Archbishop Alexander. --John Julian, Dictionary of Hymnology, New Supplement (1907) See also in:Hymn Writers of the Church

Felice Giardini

1716 - 1796 Person Name: Felice Gieadini Topics: Gospel Invitations of Composer of "ITALIAN HYMN" in The Psalter Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry

Lewis Hartsough

1828 - 1919 Person Name: Lewis Hartsough (1828-1919) Topics: Gospel Invitation Author of "I Hear Thy Welcome Voice" in Seventh-day Adventist Hymnal Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—- 1. I hear Thy welcome voice. The Divine Invitation. 2. In the rifted Rock I'm resting. Safety in Jesus. 3. Lead me to the Rock that's higher. Safety in Jesus. 4. O who'll stand up for Jesus? All for Jesus Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:— The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================ Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work. "I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use. Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist. --Robert G. McCutchan, DNAH Archives