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Nunc Dimittis
Appears in 299 hymnals Topics: Canticles and other parts of divine service First Line: Lord, now lettest thou thy servant depart in peace Scripture: Luke 2:29 Used With Tune: [Lord, now lettest thou thy servant depart in peace] (Felton)
Nunc Dimittis
The Ten Commandments
Appears in 214 hymnals Topics: Canticles and other parts of divine service First Line: Lord, have mercy upon us Used With Tune: [Lord, have mercy upon us] (Tallis)
The Ten Commandments
[Lord, have mercy upon us] (Mendelssohn)
Appears in 64 hymnals Composer and/or Arranger: Mendelssohn Topics: Canticles and other parts of divine service Tune Sources: A Melody in Mendelssohn's Elijah Tune Key: A Flat Major Incipit: 56217 14443 26711 Used With Text: The Ten Commandments
[Lord, have mercy upon us] (Mendelssohn)
[Lord, have mercy upon us] (Tallis)
Appears in 121 hymnals Composer and/or Arranger: T. Tallis Topics: Canticles and other parts of divine service Tune Key: F Major Incipit: 33233 21223 Used With Text: The Ten Commandments
[Lord, have mercy upon us] (Tallis)
Magnificat
Hymnal: The Hymnary for use in Baptist churches #747a (1936) Topics: Canticles and other parts of divine service First Line: My soul doth magnify the Lord Scripture: Luke 1:46 Languages: English Tune Title: [My soul doth magnify the Lord] (Battishill)
Magnificat
Magnificat
Hymnal: The Hymnary for use in Baptist churches #747b (1936) Topics: Canticles and other parts of divine service First Line: My soul doth magnify the Lord Scripture: Luke 1:46 Languages: English Tune Title: [My soul doth magnify the Lord] (Russell)
Magnificat
Magnificat
Hymnal: The Hymnary for use in Baptist churches #747c (1936) Topics: Canticles and other parts of divine service First Line: My soul doth magnify the Lord Scripture: Luke 1:46 Languages: English Tune Title: [My soul doth magnify the Lord]
Magnificat
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Topics: Canticles and other parts of divine service Composer of "[Lord, have mercy upon us] (Mendelssohn)" in The Hymnary for use in Baptist churches Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
William Henry Monk
1823 - 1889 Person Name: W. H. Monk, 1823 - 1889 Topics: Canticles and other parts of divine service Composer of "[Hallelujah, hallelujah, hallelujah] (Monk)" in The Hymnary for use in Baptist churches William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Thomas Tallis
1505 - 1585 Person Name: T. Tallis Topics: Canticles and other parts of divine service Composer of "[Lord, have mercy upon us] (Tallis)" in The Hymnary for use in Baptist churches Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
